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Inside the music business /

Guardado en:
Autor principal: Barrow, Tony
Otros Autores: Newby, Julian
Formato: Libro
Lenguaje:inglés
Publicado: London : Routledge, 1999.
Materias:
INDUSTRIA MUSICAL > GRAN BRETAÑA
RSH
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Tabla de Contenidos:
  • 1 Introduction
  • How To Use This Book
  • 2 Getting Inside The Music Business
  • WhatS So Special About The Music Business?
  • Who Makes Up The Music Business?
  • Which Job?
  • The Support Systems
  • The Men In Suits
  • The Hard Sell
  • Getting Inside
  • 3 The Record Company
  • The Introduction Of Copyright
  • The Modern Record Company
  • Types Of Record Company
  • The Major And The Artist
  • Working For A Record Company
  • 4 Artist Management
  • When And Why Is A Manager Required?
  • Self--Management
  • The Management Company
  • The Lone Manager
  • What Does A Manager Do?
  • Choosing Your Artist
  • The Deal
  • Management: Doing The Job
  • Gaining Experience
  • 5 The Publisher
  • The Early Publishers
  • All Change
  • A Publishing Deal Today
  • Royalties
  • What A Publisher Does
  • Publishing: Doing The Job
  • Getting Into Publishing
  • 6 The Negotiators
  • Are They All Out To Get You?
  • Bringing In The Negotiators
  • Once The ManagerS On Board
  • Is A Manager Needed?
  • The Money: Accountants And Financial Advisers
  • Losing Touch
  • 7 The A&R Person
  • A&R: The Job
  • The Indies As A&R Departments
  • Still Want To Be In A&R?
  • How To Get A Job In A&R
  • 8 The Producer
  • The First Producers
  • The ProducerS Job
  • The Logistics
  • The Producer And The Engineer: WhatS The Difference?
  • Days In The Life Of The Producer
  • When You Get There
  • 9 Marketing A Release
  • The Marketing Strategy
  • The Jobs
  • 10 Video
  • First, You Need A Single
  • Who Pays, And Who Earns What?
  • The Production Company
  • Who Does What?
  • Getting Into The Business
  • Interactive
  • The Finished Product
  • 11 Press And Public Relations
  • What Sort Of Job Is It?
  • Qualifications Or Personality?
  • Where To Start
  • Who Employs Publicists?
  • The PublicistS Office
  • Divided Loyalties
  • What Skills Are Needed?
  • A Dedicated Profession
  • Areas Of Responsibility
  • The Ways Into The Business
  • 12 Music And The Media
  • The Plugger
  • Airplay
  • What The Plugger Does
  • The Playlist
  • Becoming A Plugger
  • The Disc Jockey
  • The Music Press
  • The Publications
  • The Music JournalistS Job
  • Becoming A Music Journalist
  • Freelance
  • 13 The Concert Promoter
  • The PromoterS Job
  • Becoming A Promoter
  • Doing The Job
  • 14 The Merchandisers
  • The Perfect Cottage Industry
  • Making The Pitch
  • The Deal
  • The Concert Merchandisers Association
  • Piracy
  • The Merchandise
  • The Merchandiser At Work
  • The Jobs
  • 15 The Fan Club
  • What Are Fan Clubs For?
  • Starting A Fan Club
  • The Fanzine
  • The Convention
  • Setting Up On Your Own
  • Taking The Safe Route
  • 16 The Artist
  • How High Are You Aiming?
  • Starting Out
  • Getting Noticed
  • How Good Are You?
  • The Publisher
  • The Deal
  • Where To Next?
  • 17 The Songwriter
  • Starting Out
  • Performers Or Songs?
  • The Non--Pop Song
  • Earning From Writing
  • Copyright
  • Basca
  • 18 The Session Player
  • Training Required
  • What Is A Session?
  • The Fixer
  • The Session: What Happens?
  • Payment
  • Becoming A Session Player
  • 19 On The Road
  • Shows And Cabaret
  • Getting The Gigs
  • The Tour
  • On The Night
  • The Jobs On The Road
  • Getting On To A Tour
  • 20 The Star
  • What Is Stardom?
  • Levels Of Stardom
  • Early Successes
  • Stardom: The Personal Angle
  • Medium--Sized Success
  • When The Bubble Bursts
  • The Alternatives
  • 21 The Summing Up
  • Appendix A Music Industry Addresses
  • Collecting/Licensing Organizations
  • Us Collecting Societies
  • Songwriter/Composer/Musician/Publisher Organizations
  • Industry Organizations
  • Legal
  • Record Companies
  • Music Press

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