Practical art of motion picture sound /
Guardado en:
| Autor principal: | |
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| Formato: | Libro |
| Lenguaje: | inglés |
| Publicado: |
Boston :
Focal Press,
2007.
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| Edición: | 3er ed. |
| Materias: | |
| Etiquetas: |
Sin Etiquetas, Sea el primero en etiquetar este registro!
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Tabla de Contenidos:
- Chapter 1: The Empowerment of Sound
- Chapter 2: Our Amateur Beginnings
- Chapter 3: The Passing of a Tradion - and coming of Age
- Chapter 4: Success or Failure: Before the Camera Even Rolls
- Chapter 5: The Challenging Battlefield of Production
- Chapter 6: From the Set to the Laboratory
- Chapter 7: Picture Editorial - and the use of the Sound Medium
- Chapter 8: Temp Dubs and Test Screenings: - A Critical Objective View
- Chapter 9: Spotting the Picture
- for Sound and Music
- Chapter 10: Custom Recording Sound Effects
- The Real Fun and Adventure
- Chapter 11: the Sound Librarian : the curator of an audio empire
- Chapter 12: Sound Design
- Myths and Realities
- Chapter 13: Sound Editorial : Traditional Approach
- Chapter 14: Sound Editorial : Ultra Low-Budget Strategies
- Chapter 15: Dialog Editors
- Hollywood's Unsung Heroes
- Chapter 16: ADR -and- Looping
- Getting the Lips to Flap in Sync
- Chapter 17: FOLEY : The Art of Footsteps, Props and Cloth Movement
- Chapter 18: Nonlinear
- the Digital Workstation
- Chapter 19: The Music Composer
- Audio Collaboration or Mud and Destruction
- Chapter 20: The Rerecording Stage
- Predubbing and the Final Mix
- Chapter 21: 5.1
- Audio Restoration and Emerging Audio Technologies
- Chapter 22: The venerable Nagra IV-S ( analog )
- Chapter 23: The new recording hot-rod
- the Nagra V (digital)Glossary of TermsAudio-DVD Companion