Irony and ambiguity in the narrator of "A letter to three wives"
This paper reads Joseph Mankiewicz's film A Letter to Three Wives (1948) as a reflexive work of art which evinces a self-conscious use of the conventions of film narrative. The modernist problematization of the classical text, resulting in irony and ambiguity, is analyzed through a narratological ap...
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| Formato: | Artículo |
| Lenguaje: | español |
| Publicado: |
Universidad de Zaragoza: Departamento de Filología Inglesa y Alemana
1991
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| Acceso en línea: | https://dialnet.unirioja.es/servlet/oaiart?codigo=193687 |
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| Sumario: | This paper reads Joseph Mankiewicz's film A Letter to Three Wives (1948) as a reflexive work of art which evinces a self-conscious use of the conventions of film narrative. The modernist problematization of the classical text, resulting in irony and ambiguity, is analyzed through a narratological approach to such devices narration and plot construction, temporal structure, voice-over and focalization. |
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