Ciclos creativos en la poesía de James Joyce
This essay attempts to distinguish between two considerably different creative impulses within Joyce's poetry that give rise to his book Chamber Music (1907) and Pomes Penyeach (1927). We analyse the former as a conscious and youthful effort on Joyce's part to make his name as a poet. Hence, his car...
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Universidad de Zaragoza: Departamento de Filología Inglesa y Alemana
1992
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| author | Álvarez Amorós, José Antonio |
| author_browse | Álvarez Amorós, José Antonio |
| author_facet | Álvarez Amorós, José Antonio |
| author_sort | Álvarez Amorós, José Antonio |
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| description | This essay attempts to distinguish between two considerably different creative impulses within Joyce's poetry that give rise to his book Chamber Music (1907) and Pomes Penyeach (1927). We analyse the former as a conscious and youthful effort on Joyce's part to make his name as a poet. Hence, his care for style, contrived versification, purity of diction, and impersonality under the welcome influence of the Elizabethan collections of lyrical verse, Shakespeare's dramatic work, and the biblical Song of Songs. After twenty years of struggle and some bitter disappointments, Joyce's poetical mood altered noticeably. Pomes Penyeach is not the result of an intent purpose to compose a systematic book, but rather a collection of occasional poems directly derived from his experience. His formal rigour also relaxed, and personal confession replaced stylistic aloofness. In conclusion, both books seem to be poles apart, save for a common denominator: the stubborn intensity with which they incorporate material borrowed from Shakespeare, the Bible, Dante, Nashe, and others. |
| first_indexed | 2026-10-16T13:24:01Z |
| format | Article |
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| publishDate | 1992 |
| publishDateRange | 1992 |
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| publisher | Universidad de Zaragoza: Departamento de Filología Inglesa y Alemana |
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| spelling | dialnet-ART00000045502026-10-02Ciclos creativos en la poesía de James JoyceÁlvarez Amorós, José AntonioThis essay attempts to distinguish between two considerably different creative impulses within Joyce's poetry that give rise to his book Chamber Music (1907) and Pomes Penyeach (1927). We analyse the former as a conscious and youthful effort on Joyce's part to make his name as a poet. Hence, his care for style, contrived versification, purity of diction, and impersonality under the welcome influence of the Elizabethan collections of lyrical verse, Shakespeare's dramatic work, and the biblical Song of Songs. After twenty years of struggle and some bitter disappointments, Joyce's poetical mood altered noticeably. Pomes Penyeach is not the result of an intent purpose to compose a systematic book, but rather a collection of occasional poems directly derived from his experience. His formal rigour also relaxed, and personal confession replaced stylistic aloofness. In conclusion, both books seem to be poles apart, save for a common denominator: the stubborn intensity with which they incorporate material borrowed from Shakespeare, the Bible, Dante, Nashe, and others.Universidad de Zaragoza: Departamento de Filología Inglesa y Alemana1992text (article)application/pdfhttps://dialnet.unirioja.es/servlet/oaiart?codigo=193690(Revista) ISSN 1137-6368(Revista) ISSN 2386-4834Miscelánea: A journal of english and american studies, ISSN 2386-4834, Nº 13, 1992, pags. 5-16spaLICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: https://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: https://dialnet.unirioja.es/info/derechosOAI |
| spellingShingle | Álvarez Amorós, José Antonio Ciclos creativos en la poesía de James Joyce |
| title | Ciclos creativos en la poesía de James Joyce |
| title_full | Ciclos creativos en la poesía de James Joyce |
| title_fullStr | Ciclos creativos en la poesía de James Joyce |
| title_full_unstemmed | Ciclos creativos en la poesía de James Joyce |
| title_short | Ciclos creativos en la poesía de James Joyce |
| title_sort | ciclos creativos en la poesia de james joyce |
| url | https://dialnet.unirioja.es/servlet/oaiart?codigo=193690 |
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