Narration-parody-intertextualy: rewriting the past in Charles Palliser's "The Quincunx"
The aim of this paper is to analyse Charles Palliser's first novel--The Quincunx (1989)--in the light of the central role played by intertextuality in postmodernist literature in general and in contemporary British metafiction, in particular. The Quincunx has all the ingredients of the traditional r...
Guardado en:
| Autor principal: | |
|---|---|
| Formato: | Artículo |
| Lenguaje: | español |
| Publicado: |
Universidad de Zaragoza: Departamento de Filología Inglesa y Alemana
1997
|
| Acceso en línea: | https://dialnet.unirioja.es/servlet/oaiart?codigo=193771 |
| Etiquetas: |
Sin Etiquetas, Sea el primero en etiquetar este registro!
|
| Sumario: | The aim of this paper is to analyse Charles Palliser's first novel--The Quincunx (1989)--in the light of the central role played by intertextuality in postmodernist literature in general and in contemporary British metafiction, in particular. The Quincunx has all the ingredients of the traditional realist novel. However, despite all the echoes and reverberations from a wide range of nineteenth-century works with which the reader is free to trace relations, The Quincunx does not constitute an innocent imitation but, rather, a parodic rewriting of its Victorian (mainly Dickensian) intertexts. One particular aspect of the novel-the use and patterning of narrative voices-has been analysed in detail as a means to illustrating the way in which parody can be turned into a wonderful vehicle to express the concerns of the present through the literature of the past. |
|---|