They lived happily ever after: ending contemporary romantic comedy
The ideology of romantic comedies has often been located in their attitude to the traditional happy ending: an unproblematic happy ending makes for a film that supports dominant discourses; a problematised one suggests attempts to transgress narrative and cultural conventions. In this essay, I attem...
Guardado en:
| Autor principal: | |
|---|---|
| Formato: | Artículo |
| Lenguaje: | español |
| Publicado: |
Universidad de Zaragoza: Departamento de Filología Inglesa y Alemana
1998
|
| Acceso en línea: | https://dialnet.unirioja.es/servlet/oaiart?codigo=193783 |
| Etiquetas: |
Sin Etiquetas, Sea el primero en etiquetar este registro!
|
Ejemplares similares: They lived happily ever after: ending contemporary romantic comedy
- Happily Ever After? Marriage, Honor and Feminism in Two "Novelas ejemplares"
- Entangled happily ever after: Wedding reception seating mapped to classical and quantum optimizers
- On personal space, the traversable self, and the happily ever experience : Cinderella's strapping /
- The Dupes strike back: comedy, melodrama and point of view in "The apartment"
- Hollywood Romantic Comedy of the Fifties. A Critical Study of Film Genre
- Happily Error After: Framework Development and User Study for Correcting Robot Perception Errors in Virtual Reality