Post-Baroque sublime? The Case of Peter Ackroyd
This paper focuses on Peter Ackroyd's English Music as a landmark in contemporary manifestations of the baroque tradition in British literature. It is based on contemporary approaches to the baroque as an aesthetic constant or strain -more than on a periodization-theory of the baroque. The demonstra...
Guardado en:
| Autor principal: | |
|---|---|
| Formato: | Artículo |
| Lenguaje: | español |
| Publicado: |
Universidad de Zaragoza: Departamento de Filología Inglesa y Alemana
2000
|
| Materias: | |
| Acceso en línea: | https://dialnet.unirioja.es/servlet/oaiart?codigo=193829 |
| Etiquetas: |
Sin Etiquetas, Sea el primero en etiquetar este registro!
|
Ejemplares similares: Post-Baroque sublime? The Case of Peter Ackroyd
- The " Moving" Lines of Neo-baroque in Will Self's Dorian: An Imitation
- La recepción de las ideas poéticas de Horacio entre la Ilustración y el Romanticismo
- The possibility of the sublime : aesthetic exchanges /
- Lo sublime en la anti-sublime estética de lo cotidiano
- Lo sublime
- Kant’s Sublime in Context: The Historical Sources and Impact of Kant’s notion of the Sublime