La Fontaine au coeur du débat entre tradition et modernité dans Amants, heureux amants... de Valery Larbaud
Our paper aims at showing the place of prime importance and La Fontaine’s reach in the debate on classicism and modernity in the trilogy Amants, heureux amants… Since it’s not by chance, as we go through, that our writer takes a hemistich of the first verse from «Les deux pigeons» (title also...
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| Autor principal: | |
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| Formato: | Artículo |
| Lenguaje: | francés |
| Publicado: |
Asociación de Francesistas de la Universidad Español
2010
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| Materias: | |
| Acceso en línea: | https://dialnet.unirioja.es/servlet/oaiart?codigo=3187839 |
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| Sumario: | Our paper aims at showing the place of
prime importance and La Fontaine’s reach
in the debate on classicism and modernity
in the trilogy Amants, heureux amants…
Since it’s not by chance, as we go through,
that our writer takes a hemistich of the first
verse from «Les deux pigeons» (title also
given to the second novel AMANTS,
HEUREUX AMANTS) to crown the work
which lead him to deserve the consecration
as an author of the literary vanguard
grouped in the Rive Gauche in the twenties. If the metaliterary discourse is a steady
feature in larbaldian works, in this case it
gets features which need further consideration since it allows to define a mature concept of larbaldian modernity, a tempered
and balanced modernity, a notion of modernity which doesn’t exclude the tradition. |
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