Le thème du double et la réécriture du mythe de l'Androgyne dans "Orlanda" de Jacqueline Harpman
Jacqueline Harpman’s Orlanda is a new look on the female representation; it reveals the story of an unsuccessful attempt to rise to the origins of androgynous unity of the human being, through the development of a fiction based on the Greek myth placed in a modern context. Orlanda, a tragic sp...
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| Formato: | Artículo |
| Lenguaje: | francés |
| Publicado: |
Asociación de Francesistas de la Universidad Español
2011
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| Materias: | |
| Acceso en línea: | https://dialnet.unirioja.es/servlet/oaiart?codigo=3799903 |
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| Sumario: | Jacqueline Harpman’s Orlanda is a new
look on the female representation; it reveals
the story of an unsuccessful attempt to rise
to the origins of androgynous unity of the
human being, through the development of
a fiction based on the Greek myth placed in
a modern context. Orlanda, a tragic split
character who has chosen to follow the
Dionysian path and superficial way of life,
becomes the figure of an effeminate male
angel-demon who embodies the undecidable complexity of human personality, passions and social heritage. The failure waits
for him at the end of that trip started in
Parisian «gare du Nord», as it cannot be any
real transgression in a world organized,
often despite appearances, on genre bipolarity. |
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