Tiempo, memoria, imagen: Sans soleil de Chris Marker
Chris Marker's films, which are considered to be some of the most representative examples of film-essay, have been marked until his recent death by a persistent questioning over the power and the purpose of Image. His film Sunless (1982) is at that respect an unavoidable reference when establishing...
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| Formato: | Artículo |
| Lenguaje: | español |
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Universidad de Málaga (UMA)
2013
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| Acceso en línea: | https://dialnet.unirioja.es/servlet/oaiart?codigo=4568480 |
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