Transculturalidad narrativa en la oralidad de Gran sertón: Veredas de Guimarães Rosa y Yo el Supremo de Augusto Roa Bastos
The article seeks to establish the relationship bet-ween spoken word orality and literature, startingfrom a catalogued literature as transculturation andfrom the spoken word that manifests itself through Scriptural text; two elements that are present in thework of the Gran sertón: Veredas of Guimar...
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| Formato: | Artículo |
| Lenguaje: | español |
| Publicado: |
2011
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| Acceso en línea: | https://dialnet.unirioja.es/servlet/oaiart?codigo=4782208 |
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| Sumario: | The article seeks to establish the relationship bet-ween spoken word orality and literature, startingfrom a catalogued literature as transculturation andfrom the spoken word that manifests itself through Scriptural text; two elements that are present in thework of the Gran sertón: Veredas of Guimarães Rosa,and Yo el Supremo of Augusto Roa Bastos. This analy-sis is based on the theory of narrative transcultura-tion of Ángel Rama (1982), which in practice meant the establishment of two languages: a cultured one,belonging to a minority (legal city), and a popularone, used in the context of intimate relationships ofthe lower social strata. However, we emphasize theimportance of considering that at the base of theauthors of transculturation (Guamán Poma, Gar-cilaso de la Vega, Juan Rulfo, José María Arguedas,João Guimarães Rosa, and Gabriel García Márquez,among many others), the spoken word is a commondenominator which structures the creation of theirwork. |
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