Documentar un documento histórico. Modalidades diferentes de comunicación en 'Le photographe', de Guibert y Lefèvre
Le photographe, of Guibert, Lefèvre y Lemercier, is a very peculiar reality comics. Lefèvre was a photograph who, during Russian invasion of Afghanistan, entered the country in order to make a photo-reportage. His adventure is told in this graphic novel, made up with drawn panels along with photos t...
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| Formato: | Artículo |
| Lenguaje: | español |
| Publicado: |
2017
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| Materias: | |
| Acceso en línea: | https://dialnet.unirioja.es/servlet/oaiart?codigo=6123149 |
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| Sumario: | Le photographe, of Guibert, Lefèvre y Lemercier, is a very peculiar reality
comics. Lefèvre was a photograph who, during Russian invasion of Afghanistan, entered
the country in order to make a photo-reportage. His adventure is told in this graphic novel,
made up with drawn panels along with photos taken by Lefèvre himself. Photography,
as historical document, appears documented here across a narrativisation process where
drawn images play a crucial role. Drawn images and words narrate, while in the same
pages photos testify to the objective reality of the place and the subjective sight of the
character/author. Two different modalities of communication build up the text both as
narration and as evidence. |
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