Aprehensión tácita y proposición ontológica: el cine según Merleau-Ponty
Maurice Merleau-Ponty approached cinema both at the beginning and at the endof his career. At first he was interested in researching the tension and the interrelation that film produced between mind and body, and between individual consciousness and exterior reality. Later, he attempted to include c...
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| Formato: | Artículo |
| Lenguaje: | español |
| Publicado: |
2015
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| Acceso en línea: | https://dialnet.unirioja.es/servlet/oaiart?codigo=7263180 |
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