Do zeitgeist às prateleiras – as obras das autoras portuguesas censuradas
In this article, we sum up the conclusions of the PhD thesis that was presented to the Federal University of Santa Catarina in 2017. Here we analyze the production/reception conditions of the works by the Portuguese female authors censored by PIDE. With a corpus that includes all the censored novels...
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| Formato: | Artículo |
| Lenguaje: | portugués |
| Publicado: |
2019
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| Acceso en línea: | https://dialnet.unirioja.es/servlet/oaiart?codigo=7276435 |
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| Sumario: | In this article, we sum up the conclusions of the PhD thesis that was presented to the Federal University of Santa Catarina in 2017. Here we analyze the production/reception conditions of the works by the Portuguese female authors censored by PIDE. With a corpus that includes all the censored novels by all the Portuguese female authors, and also plays and poetry, we looked for the reasons that led to censorship and we analyzed the role that censorship had as far as the delineation of the Portuguese literary canon is concerned. Its role is not quantitative. Not only it had its influence in the censored books, but there are also those books there were modified in order to avoid prohibition and those that were not even written. Also, we analyzed the reception of those works, considering that, if some were simply erased, others prompted judicial proceedings or supporting social movements. The only common symbolic denominator stems from a social identity that, in turn, stems from cultural, social and political elements. |
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