Sonido e inmersión en la trilogía salteña de Lucrecia Martel
This paper underscores the unique and complex approach to the use of sound in the work of Lucrecia Martel. From the evidently symbolic use of the theremin in The Holy Girl (La niña santa, 2004)–. to the extremely subtle –tinnitus like sound in The Headless Woman (La mujer sin cabeza, 2008) or the ex...
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| Main Authors: | , |
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| Format: | Article |
| Language: | Spanish |
| Published: |
2016
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| Subjects: | |
| Online Access: | https://dialnet.unirioja.es/servlet/oaiart?codigo=7265324 |
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