Campaña y Velázquez: paralelos artísticos
Abstract: To contribute to the comprehension of the painting of Diego Velázquez is the main objective of this study, is to point out some of the latent sevillian roots that the artist kept in his extensive Madrid's stage. In this logic, I would like to analyze the relationships arising from the comp...
Guardado en:
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| Formato: | Artículo |
| Lenguaje: | español |
| Publicado: |
2021
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| Materias: | |
| Acceso en línea: | https://dialnet.unirioja.es/servlet/oaiart?codigo=7894704 |
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Sin Etiquetas, Sea el primero en etiquetar este registro!
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| Sumario: | Abstract: To contribute to the comprehension of the painting of Diego Velázquez is the main objective of this study, is to point out some of the latent sevillian roots that the artist kept in his extensive Madrid's stage. In this logic, I would like to analyze the relationships arising from the comparison of the table that represents to San Pablo Ermitaño y San Antonio by Pedro de Campaña, and the painting of Velázquez with a similar theme: Encuentro de San Antonio Abad con San Pablo, primer ermitaño. |
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