Arthur Saint-Léon en el Teatro Real de Madrid
Year 2021 marks the birth bicentennial of the French dancer, choreographer, and violinist Arthur Saint-Léon (1821-1870). This article focuses on the brief, though intense, and less known season of 1851 that he worked at the Madrid´s Royal Theatre with his wife, the famous Fanny Cerrito. Saint-Léon...
Guardado en:
| Autor principal: | |
|---|---|
| Formato: | Artículo |
| Lenguaje: | español |
| Publicado: |
2021
|
| Materias: | |
| Acceso en línea: | https://dialnet.unirioja.es/servlet/oaiart?codigo=8086927 |
| Etiquetas: |
Sin Etiquetas, Sea el primero en etiquetar este registro!
|
| Sumario: | Year 2021 marks the birth bicentennial of the French dancer, choreographer, and violinist Arthur Saint-Léon
(1821-1870). This article focuses on the brief, though intense, and less known season of 1851 that he worked
at the Madrid´s Royal Theatre with his wife, the famous Fanny Cerrito. Saint-Léon staged in Madrid two of
his complete ballets, created a Spanish dance –La sal andaluza– and participated in concerts exclusively as a
violinist. We will analyze, using the reception theory, the Madrid librettos of the ballets staged, the hemerographic materials and different documents kept in archives, which allow us to study the presence, repertoire,
and reception that both, the choreographies, and the dancers had in Madrid. |
|---|