Choral vocalization and mono-vocalism: a contextual analysis
The article aims to investigatechoral vocalization and mono-vocalism as a special phenomenon in modern Russian music on the example of the composition of Sergei Terentyevvia combining historical-stylistic, system-genre, literary-stylistic methods of analysis. As a result, choral vocalization is a fr...
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| Formato: | Artículo |
| Lenguaje: | inglés |
| Publicado: |
2019
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| Materias: | |
| Acceso en línea: | https://dialnet.unirioja.es/servlet/oaiart?codigo=8155740 |
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| Sumario: | The article aims to investigatechoral vocalization and mono-vocalism as a special phenomenon in modern Russian music on the example of the composition of Sergei Terentyevvia combining historical-stylistic, system-genre, literary-stylistic methods of analysis. As a result, choral vocalization is a frequently used choral technique widely used in modern sonorous choral music.In conclusion, the necessity of contextual analysis of various pieces of music has been proved. Depending on the synthesis of the different arts, the approach to the analysis of each will be individual. |
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