Ostalgie caribeña: saudade pos-soviética en el audiovisual cubano contemporáneo
While investigating recent audio-visual Cuban produtions, this article deals with a notalgic feeling referring to the times Cuba was under strong Soviet cultural influence, between the 1960s and the 1980s. This trait can be found in documentary films such as Fractal (2005), Todas iban a ser re...
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| Formato: | Artículo |
| Lenguaje: | portugués |
| Publicado: |
2011
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| Materias: | |
| Acceso en línea: | https://dialnet.unirioja.es/servlet/oaiart?codigo=8395183 |
| Etiquetas: |
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| Sumario: | While investigating recent audio-visual
Cuban produtions, this article deals with a
notalgic feeling referring to the times Cuba
was under strong Soviet cultural influence,
between the 1960s and the 1980s. This trait
can be found in documentary films such
as Fractal (2005), Todas iban a ser reínas
(2006), Good bye, Lolek (2006) and Todo
tiempo pasado (2008), in video clips like
Llegamos al futuro (2006), Koniec (2008),
as well as in blogs. The former, produced
by Cubans who live abroad, are devoted
to the so-called “muñequitos rusos”, that
is, cartoons made in the ex-USSR which
lately became part of the affective memory
of a generation born in Cuba in the 1960s
and 1970s. The article investigates the am-
biguity permeating the identity building
process of Cubans both with Soviet cultural
references and socialism. |
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