As laudationes de apuleio de madaura à luz da cultura material: a territorialização do teatro de Cartago como espaço de poder do orador e do filósofo (séc. II d.C.)

In Carthage, between the 160s and 180s A.D.,Apuleius made the city theater his frequent space for public declamations, where he became notable as an orator and philosopher, establishing amicitiawith various authorities. In line with this fact and through the analysis of data provided by material cul...

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Autores principales: Lima Neto, Belchior Monteiro, Pina, Edjalma Nepomoceno
Formato: Artículo
Lenguaje:portugués
Publicado: 2022
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Acceso en línea:https://dialnet.unirioja.es/servlet/oaiart?codigo=8794242
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Sumario:In Carthage, between the 160s and 180s A.D.,Apuleius made the city theater his frequent space for public declamations, where he became notable as an orator and philosopher, establishing amicitiawith various authorities. In line with this fact and through the analysis of data provided by material culture and by Florida, we propose to discuss the way in which Apuleio appropriated the building as an important arena for promoting his identity as an illustrious vir. To a large extent, we argue that the choice of location followed a logic of resignification of space, in order to make it a territory of power under the authority of the author from Madaura.