Literatura y producción audiovisual en Costa Rica: el caso de Fabián Dobles
This article explores the audiovisual production based on the literary texts of Fabián Dobles. Particularly, it analyzes the short films El hombre de la pierna cruzada (1983) and Tatamundo (1984), with the purpose of determining the interests underlying their choice to be brought to the screen and t...
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| Autores principales: | , |
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| Formato: | Artículo |
| Lenguaje: | español |
| Publicado: |
2011
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| Materias: | |
| Acceso en línea: | https://dialnet.unirioja.es/servlet/oaiart?codigo=8796192 |
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| Sumario: | This article explores the audiovisual production based on the literary texts of Fabián Dobles. Particularly, it analyzes the short films El hombre de la pierna cruzada (1983) and Tatamundo (1984), with the purpose of determining the interests underlying their choice to be brought to the screen and the relationship both works expressed with respect to the representations of the Costa Rican identity system advocated by the hegemonic discourse |
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