El legado de Juan González Moreno en la restauración del santuario de la Fuensanta. Un templo renovado

The Sanctuary of Fuensanta underwent a restoration after the events of the Civil War, the new building being inaugurated in 1961. The plastic artists who worked on its decoration did so with the intention of extolling the figure of the Virgin Mary, highlighting the work made by the sculptor Juan...

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Autor principal: Piñera Ayala, María Dolores
Formato: Artículo
Lenguaje:español
Publicado: 2023
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Acceso en línea:https://dialnet.unirioja.es/servlet/oaiart?codigo=9195265
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Sumario:The Sanctuary of Fuensanta underwent a restoration after the events of the Civil War, the new building being inaugurated in 1961. The plastic artists who worked on its decoration did so with the intention of extolling the figure of the Virgin Mary, highlighting the work made by the sculptor Juan González Moreno. His contribution was the most extensive, not only was he in charge of the ornamental design of the temple, but he also executed the reliefs found in the main altarpiece, the transept naves and the side chapels, representing scenes from the life cycle of the Virgin. Maria. With this, he transferred to Murcia the Renaissance tradition that Fray Angélico had already begun in his famous Annunciation.