Clemente Padín: emergencia de la performance en el Uruguay de la neovanguardia
In this article, we aim to draw the physiognomy that performance, understood as the art that is run on a hic et nunc of the artist's body as a channel for the work, presented in the figure of Uruguayan poet and performer Clemente Padín, a representative of this praxis during the 70s. The genre was g...
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| Formato: | Artículo |
| Lenguaje: | español |
| Publicado: |
2015
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| Acceso en línea: | https://dialnet.unirioja.es/servlet/oaiart?codigo=9211857 |
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Sin Etiquetas, Sea el primero en etiquetar este registro!
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