Devouring Hamlet: Cultural Anthropophagy as an Adaptation Methodology

This paper focuses on two film productions of the Shakespearean play Hamlet (1600-1601), both made in Brazil in the 1970s. It is my contention that A herança (“The Inheritance”), by Ozualdo Candeias (1970), and O jogo da vida e da morte (“The Game of Life and Death”), by Mario Kuperman (1971), const...

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Autor principal: Amorim, Marcel
Formato: Artículo
Lenguaje:inglés
Publicado: 2023
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Acceso en línea:https://dialnet.unirioja.es/servlet/oaiart?codigo=9231038
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