(em)arranhaço: Tessitura e consubstanciação na poética de Salette Tavares
This paper focuses on the exploration of the figure of the spider, used by Salette Tavares in “Aranha” (1963), and later in “Aranhão” (1978) and “Borboleta de Aranhas” (1979), as a speculative model to understand spatialization features within the author’s poetics. These three works are analyzed as...
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| Formato: | Artículo |
| Lenguaje: | portugués |
| Publicado: |
2023
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| Materias: | |
| Acceso en línea: | https://dialnet.unirioja.es/servlet/oaiart?codigo=9441005 |
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