El Modelo de Feminidad Franquista a través de la Música. Del Adoctrinamiento a la Transgresión
Historiography has not paid special attention to musical and folkloric expressions as a link between cultural history and political history; However, as we will try to demonstrate in the following lines, this connection will be key as a legitimizing tool of the Franco regime, providing the political...
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| Autores principales: | , |
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| Formato: | Artículo |
| Lenguaje: | español |
| Publicado: |
2024
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| Materias: | |
| Acceso en línea: | https://dialnet.unirioja.es/servlet/oaiart?codigo=9823852 |
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| Sumario: | Historiography has not paid special attention to musical and folkloric expressions as a link between cultural history and political history; However, as we will try to demonstrate in the following lines, this connection will be key as a legitimizing tool of the Franco regime, providing the political system with a fundamental and timeless continuity, a privileged instrument of mediation between the people and the political structure. Through a review of the legislative, bibliographic, documentary and audiovisual documentation of the first Franco regime (1939-1955), with an essayistic methodology, we have set out to understand, first of all, the instrumentalization of music, and specifically folklore, as a legitimizing tool of the pillars of the Franco state: classism, patriotism and model of femininity, conveyed through the Women's Section. As a second aspect, we will analyze how jazz and copla, music located in the otherness of the official sources of Francoism, constituted a space of expressive freedom and biopolitical subversion, concluding that they could thus become survival from otherness, a model of anti-hegemonic femininity.
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