Leer en la maleza. El pasaje hacia Moro desde el seno bellatineano
How are pair reading and writing built starting from only a line, a verse, which excels all textual and poetic density? This was the starting point and the moment when, thanks to the loan word “flicker” from Benjamin (2005), we understood that sometimes reading in literary and critical terms is to g...
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| Autores principales: | , |
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| Formato: | Artículo |
| Lenguaje: | español |
| Publicado: |
2013
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| Materias: | |
| Acceso en línea: | https://dialnet.unirioja.es/servlet/oaiart?codigo=9747958 |
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Sin Etiquetas, Sea el primero en etiquetar este registro!
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| Sumario: | How are pair reading and writing built starting from only a line, a verse, which excels all textual and poetic density? This was the starting point and the moment when, thanks to the loan word “flicker” from Benjamin (2005), we understood that sometimes reading in literary and critical terms is to go from surface reading to in-depth reading, but mostly, to understand that in the reading experience of Mario Bellatin and César Moro there is also a passage from text to image that leads to a different critical moment when both the category of representation and dialectical readings, often present in intertextuality, are put in crisis. This is what we want to visualize in order to get into the passage that Mario Bellatin opens in Efecto invernadero (1995) and enter the world of César Moro through a name, "Antonio". |
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