God, she is beautiful: the disturbing representation of women in 'Hannah and her sisters'
This paper discusses the ideological scope of Woody Allen's Hannah and Her Sisters (1986) in relation to gender and sexual difference within American postmodernism--the cultural phenomenon in which Woody Allen has been inscribed. The analysis uses a theoretical framework derived from feminist film t...
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| Autor principal: | |
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| Formato: | Artículo |
| Lenguaje: | español |
| Publicado: |
Universidad de Zaragoza: Departamento de Filología Inglesa y Alemana
1994
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| Acceso en línea: | https://dialnet.unirioja.es/servlet/oaiart?codigo=193725 |
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