God, she is beautiful: the disturbing representation of women in 'Hannah and her sisters'
This paper discusses the ideological scope of Woody Allen's Hannah and Her Sisters (1986) in relation to gender and sexual difference within American postmodernism--the cultural phenomenon in which Woody Allen has been inscribed. The analysis uses a theoretical framework derived from feminist film t...
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| Formato: | Artículo |
| Lenguaje: | español |
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Universidad de Zaragoza: Departamento de Filología Inglesa y Alemana
1994
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| Acceso en línea: | https://dialnet.unirioja.es/servlet/oaiart?codigo=193725 |
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| _version_ | 1879224614089916416 |
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| author | Loyo Gómez, Hilaria |
| author_browse | Loyo Gómez, Hilaria |
| author_facet | Loyo Gómez, Hilaria |
| author_sort | Loyo Gómez, Hilaria |
| building | Dialnet |
| collection | Acceso abierto |
| description | This paper discusses the ideological scope of Woody Allen's Hannah and Her Sisters (1986) in relation to gender and sexual difference within American postmodernism--the cultural phenomenon in which Woody Allen has been inscribed. The analysis uses a theoretical framework derived from feminist film theory and focuses mainly on visual representation and its enunciative process. More particularly, the analysis centres on the representation of women within the film as well as on its intertextual aspects, that is, its parodic allusions and references to other films, generic influence, and stardom. The final aim is to account for the unresolved ambivalence manifested in the representation of women in this film. |
| first_indexed | 2026-10-16T13:24:01Z |
| format | Article |
| fullrecord | <oai_dc:dc xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd"><identifier>dialnet-ART0000004585</identifier><datestamp>2026-10-14</datestamp><dc:title>God, she is beautiful: the disturbing representation of women in 'Hannah and her sisters'</dc:title><dc:creator>Loyo Gómez, Hilaria</dc:creator><dc:description>This paper discusses the ideological scope of Woody Allen's Hannah and Her Sisters (1986) in relation to gender and sexual difference within American postmodernism--the cultural phenomenon in which Woody Allen has been inscribed. The analysis uses a theoretical framework derived from feminist film theory and focuses mainly on visual representation and its enunciative process. More particularly, the analysis centres on the representation of women within the film as well as on its intertextual aspects, that is, its parodic allusions and references to other films, generic influence, and stardom. The final aim is to account for the unresolved ambivalence manifested in the representation of women in this film.</dc:description><dc:publisher>Universidad de Zaragoza: Departamento de Filología Inglesa y Alemana</dc:publisher><dc:date>1994</dc:date><dc:type>text (article)</dc:type><dc:format>application/pdf</dc:format><dc:identifier>https://dialnet.unirioja.es/servlet/oaiart?codigo=193725</dc:identifier><dc:identifier>(Revista) ISSN 1137-6368</dc:identifier><dc:identifier>(Revista) ISSN 2386-4834</dc:identifier><dc:source>Miscelánea: A journal of english and american studies, ISSN 2386-4834, Nº 15, 1994, pags. 347-366</dc:source><dc:language>spa</dc:language><dc:rights>LICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: https://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: https://dialnet.unirioja.es/info/derechosOAI</dc:rights></oai_dc:dc> |
| id | dialnet-ART0000004585 |
| institution | Dialnet |
| language | spa |
| last_indexed | 2026-10-16T13:24:01Z |
| publishDate | 1994 |
| publishDateRange | 1994 |
| publishDateSort | 1994 |
| publisher | Universidad de Zaragoza: Departamento de Filología Inglesa y Alemana |
| publisherStr | Universidad de Zaragoza: Departamento de Filología Inglesa y Alemana |
| record_format | oai_dc |
| spelling | dialnet-ART00000045852026-10-14God, she is beautiful: the disturbing representation of women in 'Hannah and her sisters'Loyo Gómez, HilariaThis paper discusses the ideological scope of Woody Allen's Hannah and Her Sisters (1986) in relation to gender and sexual difference within American postmodernism--the cultural phenomenon in which Woody Allen has been inscribed. The analysis uses a theoretical framework derived from feminist film theory and focuses mainly on visual representation and its enunciative process. More particularly, the analysis centres on the representation of women within the film as well as on its intertextual aspects, that is, its parodic allusions and references to other films, generic influence, and stardom. The final aim is to account for the unresolved ambivalence manifested in the representation of women in this film.Universidad de Zaragoza: Departamento de Filología Inglesa y Alemana1994text (article)application/pdfhttps://dialnet.unirioja.es/servlet/oaiart?codigo=193725(Revista) ISSN 1137-6368(Revista) ISSN 2386-4834Miscelánea: A journal of english and american studies, ISSN 2386-4834, Nº 15, 1994, pags. 347-366spaLICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: https://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: https://dialnet.unirioja.es/info/derechosOAI |
| spellingShingle | Loyo Gómez, Hilaria God, she is beautiful: the disturbing representation of women in 'Hannah and her sisters' |
| title | God, she is beautiful: the disturbing representation of women in 'Hannah and her sisters' |
| title_full | God, she is beautiful: the disturbing representation of women in 'Hannah and her sisters' |
| title_fullStr | God, she is beautiful: the disturbing representation of women in 'Hannah and her sisters' |
| title_full_unstemmed | God, she is beautiful: the disturbing representation of women in 'Hannah and her sisters' |
| title_short | God, she is beautiful: the disturbing representation of women in 'Hannah and her sisters' |
| title_sort | god she is beautiful the disturbing representation of women in hannah and her sisters |
| url | https://dialnet.unirioja.es/servlet/oaiart?codigo=193725 |
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