A história da tradução audiovisual
The article discusses the role of translation in the times of silent cinema, where the history of audiovisual translation runs, in other words, in parallel to the history of cinema and, later, in audiovisual media. Soon after, cinema began to incorporate written language along with iconic representa...
Guardado en:
| Autores principales: | , |
|---|---|
| Formato: | Artículo |
| Lenguaje: | portugués |
| Publicado: |
2024
|
| Materias: | |
| Acceso en línea: | https://dialnet.unirioja.es/servlet/oaiart?codigo=9784640 |
| Etiquetas: |
Sin Etiquetas, Sea el primero en etiquetar este registro!
|
| Sumario: | The article discusses the role of translation in the times of silent cinema, where the history of audiovisual translation runs, in other words, in parallel to the history of cinema and, later, in audiovisual media. Soon after, cinema began to incorporate written language along with iconic representation. It is then that the need arises to translate the written text to understand the film narrative in those countries where the language is not spoken or understood. With this, the article discusses the rapid transition of sound cinema: in search of imaginative solutions, then about the parallel invasion of dubbing and multilingual versions, where it goes even deeper into dubbing with a focus on Spain and Latin America and discusses the historical development of subtitling, and finally, the evolution of audiovisual translation in Spain. |
|---|